TELL YOUR PUP YOU LOVE HIM

Cover showing David Bowie in ochre-coloured suite 100 Years of Menswear by Cally Blackman stunningly proves my point that less text is more when it comes to design books.

I will start out by giving Blackman credit for actually treating the topic of menswear, a difficult, neglected corner of the fashion demimonde that repels maladaptive invert fashion designers purely by virtue of having to deal with men instead of other girls. (Watch the episodes of Project Runway in which contestants, most of them maladaptive inverts, are flummoxed by the task of dressing a man. It’s like Top Chef contestants forced to go vegan.)

You can dress a woman in any kind of ridiculous confection you want, but what are the options for men? Shirting, pantalon, cravat? Not hardly, Blackman proves, largely through pictures. There’s a preface of a couple of hundred words, and each of six thematic periods (in which design and chronology are collapsed and mingled) gets a two-page intro, but that is pretty much it. The only way to read this book is the best way to read Jencks’s books about postmodern architecture – by looking at the pictures and reading the cutlines, where not a word is wasted.

I gather it took forever to assemble this collection of photographs. I can see why. Any topic you will have heard of before will be illustrated by a picture you haven’t seen before. There are a few headshots of leading fashion designers and one or two movie posters (the Shaft poster is in Italian!). But the quality that creeps up on you as you devour every page – you will not skip a single one – is how deliciously unfamiliar, unanthologized, unhackneyed the photographs are.

  • Garments originally worn for sport.

    Oarsmen in flannel jackets and parasols; illustration of naval fashions; actor in striped blazer and whit ebucks
  • “Head cutter Mr. Smith fits a jacket at Henry Poole in Savile Row.”

    Man in suit and hat leans on cane in advertisement; tailor with measuring tape around neck pulls at side vents of customer’s jacket
  • “Pink raw-silk trilby.”

    Evening capes and fur duffels on five gents out for a stroll; “pink raw-silk trilby with a high crown and furled brim”
  • This will quite likely not be the photograph you expect of 1980s Calvin Klein undergarments. (Top right.)

    Calvin Klein, Contradiction for Men advertisement, and shirtless LL Cool J with protruding Calvin Klein underwear waistband
  • The clarity and concision of Blackman’s cutlines:

    Don Johnson as Crockett in Miami Vice. The pushed-up sleeve became not only a possibility through softer fabrics and tailoring, but also a sartorial emblem of 1980s fashion (1984–89).

The foregoing posting appeared on Joe Clark’s personal Weblog on 2010.07.17 13:18. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2010/07/17/blackman/

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