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Author archive

   (2007.01.19)

The backlighting straddles the border between two greens, 1980s-condo/bridesmaid-taffeta sea-foam and minty-fresh.

3D letters project from green illuminated background on posts and read 777 BAY COLLEGE PARK
   (2007.01.18)

Unreadable grey text

   (2007.01.18)

‘Ƭȟëřè åṝé ƫŵõ ķïńđš óƒ ƥèöṗḹȅ: (ã) Ṁÿ ľȭṽȩ ȃňḓ İ; (ḇ) Ṑȶḧḛṟ’

   (2007.01.16)
Black mouse stands across line of dirt (including ketchup) on terrazzo floor

Souris, station de métro Boisvert, janvier 2007

   (2007.01.15)

The letterspaced Century caps are an oldschool embellishment to this tanker o’ obesity.

Giant tanker drives by a clear transit shelter labelled CORN SWEETENERS CASCO
   (2007.01.14)

Sometime in the mists of the ’90s, I wrote an article for Publish on large-format printing. I became something of an expert, and I really wanted to see bus wraps used for some kind of artistique purpose, particularly if applied to a postmodernist vehicle like an Orion II. It never happened. Babs Kruger’s bus wrap (1997; later co-opted) was a disaster: Never send a polemical feminist artist to do a typographer’s job.

Nonetheless:

Rear half of bus advertises Centennial College in solid patches of magenta, chartreuse, and blue and orange

In order, I would use the current lexicon to describe these colours as violetred3, yellow3, lightslateblue, and sandybrown.

   (2007.01.11)

After an interregnum of two full years, I finally went to a movie

   (2007.01.11)
Display cases have row upon row of model soup-can labels atop actual dispensers of soup cans
   (2007.01.11)

‘I find it quite worrying meeting people in their mid-life who are still fascinated by, you know, typefaces and layout’

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