I QUIT

The Perfect Scent by Chandler Burr (no relation). With a name like that, he’s obviously a Southerner and also either pretentious or a fag, but on the basis of this book, only the latter. It comes up a lot. (As do a litany of retellings of his writer pedigree, his time in Japan, the languages he speaks. And the most pretentious sentence in the faggiest book of the year? “I am the perfume critic for the New York Times.”)

Ostensibly Burr is telling a combined A and B story about the development of two perfumes – Nil (short name) by Hermès and Lovely and its successor by Coty. Coty is a giant in the perfume industry. Did you know that? I didn’t. I knew nothing about it. This will have something to do with a weak sense of smell, an aversion to luxury products, an aversion to effeminate luxury products.

Lovely is the Sarah Jessica Parker perfume brand. Here as elsewhere, “SJP” is a proxy for urban homosexualism. She specifically asks Chandler Burr (no relation) if he’s a fag. (“The first thing SJP asks me is what my sexual orientation is.” Did she use that phrase? Straight people don’t have “sexual orientation,” like white people don’t have “race.”) What a stupid question. There are how many nonfag men in her life – two? The husband and the agent?

Everywhere you go in the SJP demimonde, maladaptive urban homosexualists are found, and vice versa. For them it was breakfast, lunch, dinner, brunch, dessert, birthday, Christmas, New Year’s, Pride Day, and that very special day they secretly tried on mummy’s pearls all rolled into one when the Sex and the City movie opened. There were all these newspaper articles about men dragged by their gf units to go see the movie. This is like talking about emaciated fashion models as victims and pawns of sexist male fashion designers. Everybody’s queer here, honey.

Sex and the City: The Series was a man-hating exercise masquerading as female empowerment. It was attractive to oldschool feminists, gum-popping administrative assistants who flip through inch-thick issues of Vogue in ten minutes flat, and young gays with feminized brains (i.e., most young gays).

I can hardly forget that time I was waiting for the eetcarstray at the ungay corner of Queen and Silver Birch, exactly one stop away from the end of the line, when a 6-foot-1 waif traipses across the street in dramatic ’70s-style brown shoes, actually quite an excellent pair of mottled brown trousers, blouson, ascot scarf, corduroy bomber jacketing, tight hairstyle, manpurse and enormous black sunglasses. Behold, I guess, the Only Gay in the Village. (Apart from Micgormit, I suppose.) The waif settled down on the streetcar and immediately pulled out his shoephone.

With his elbows jammed into ribs (straight guys take up space), wrists and phalanges did a Punch and Judy reënactment of his and his friend’s tales of just how long they waited in line for just how good a set of seats for the opening of Sex and the City: The Movie.

Rather after the manner of Romulus and Remus, someday somebody is going to slap some sense into these girls and explain to them they actually aren’t.

I had a hard time with the book’s half-assed typography – set in Centaur with atrocious tracking, particularly with the combination of f plus any letter other than i or l. Needless to say, the word “perf ume” ends up looking like shite. (And why aren’t any f-ligatures used in italics?) The Tu combination was particularly ill-handled. And the book, while full to bursting with chemical names and French terms, cannot even spell “rarefied,” “dimethicone,” or “Tobey Maguire” right.

But: Anyone who gives Procter & Gamble an unequivocal multi-page thrashing is all right in my book. (I use two of their products. Only two! A miracle.) And the fag business? Chandler Burr (no relation) grows into it. He gets more honest as he goes. Imagine the degree of outness that could produce the following:

Tonquin musk is animalic in its most elevated form. It is a perfumery raw material that was extracted from a gland under the lower stomach and before the hind legs of the male of the species Moschus moschiferus L, the Tibetan musk deer.

And that reminds me – another reason to take no interest in perfume is the pervasive, generations-long animal cruelty.

Tonquin musk is the real, natural, glandular product. It is one of the most astounding smells you will ever experience. It is, to put it most precisely, the rich, thick scent of the anus of a clean man combined with the smells of his warm skin, his armpits sometime around midday, the head of his ripely-scented uncircumcised penis (a trace of ammonia), and the sweetish, nutty, acrid visceral smell of his breath. There’s simply no other way [for a gay writer] to describe it.

In other words, musk is the smell of gay sex.

I’m tired of the Gays and their obsession with twee expendable “designer” products and issues. (And also tired of the Gays’ ignoring my own such issues. Mine, it should go without saying, aren’t twee or expendable.) What could be more twee and expendable than perfume? Come the Revolution, they’ll all be first against the wall. But, after the manner of Fahrenheit 451, anywhere your nose is close enough to a clean, uncut man a wordless story will be told.

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.25 17:57. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/25/perfect-scent/

Baby-blue overhead exhaust venting looms far above a parked streetcar at a streetcar yard

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.25 17:51. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/25/overhead/

What is this, a Renault? (Nope: Mercedes 180/190 [W120/W121].)

Square old car whizzes past auto-parts store

Shouldn’t the driver be wearing a boler?

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.17 16:23. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/17/not-trabant/

LED dots in window read Fish &

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.15 15:43. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/15/fishand/

Backhoe carries rusted metal sculpture of a human form outside Fire & EMS Training Centre

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.13 13:58. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/13/not-henry-moore/

(UPDATED)    I have been saying for a couple of years that the PDF/Universal Access Committee (slash in original, sadly) is a happy ship, stewarded by an erudite and urbane chair and staffed by a small core of constituents with good skills and an actual sense of humour. The goal is a standard for PDF accessibility that extends beyond the simplistic dictum “Only use tagged PDF.” [continue with: ‘International perspective’ →]

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.11 13:42. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/11/pdfu-ixnay/

From an interview with Coupe and (former) Ray Gun editors (more than one speaker, intermingled):

My boredom with [Monocle (q.v.)] lies in its very nice design. The look is so grid-based, so thorough, so devoid of spontaneity[, so overformatted] that after four or five issues of the same, the desire to fork over $12 for Issue Six just isn’t very strong. I think editors and publishers need to remember that people like spontaneity, and surprise in their lives — and in their magazines. Basically, editors need to accept the fact that… design has become content. Readers look for it and should expect design content change from issue to issue beyond new photos and spot illustrations. […]

If design is content, if fonts convey emotions and if synergy between word and image are true, and we know they are, this resistance from the people who could gain the most from strutting their stuff substantively is mystifying to me.

It may be the one place, oddly, where you see no 1990s nostalgia. Someone showed me a young adult book called So Yesterday that had a lead character, a girl who wanted, to the amazement of her friends, to work in magazines. She talked about a magazine that was clearly Ray Gun, and how it had crazy fonts and messed with things. Her friends thought she was kidding, but she just shrugged off their reactions, saying that people back then thought it was cool. It has made me want to come up with a start up that would hit the same mark today that Ray Gun did then, just to see what the response would be like.

Did you know I actually wrote for Ray Gun back dans la journée?

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.06 18:57. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/06/devenu-contenu/

Not, in fact, Contempi.

Orange and white keys of a rainy old organ

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.05 18:50. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/05/ontempi/

Modern house, barely illuminated at nighttime, has the word FIFTEEN in Helvetica over its front window

The foregoing posting appeared on Joe Clark’s personal Weblog on 2008.11.03 17:05. This presentation was designed for printing and omits components that make sense only onscreen. (If you are seeing this on a screen, then the page stylesheet was not loaded or not loaded properly.) The permanent link is:
https://blog.fawny.org/2008/11/03/quinze/

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